Story Time With Adult Film Star Tyler Knight

September 20, 2018 | No Comments » | Topics: Life Experiences

The line of mopes wraps around the warehouse hidden in the Valley’s North Hollywood. It moves, I take a step. These men are not the chiseled, two-hundred pound studs with eight-inch-plus penises of the A-list. They will never get the call to work with even passable looking woman in a scene for a mid-tier studio, and they know it. This is the bukkake line.

Sure, I’m in line just like these mopes are, but I’m different. I’ve done scenes for top tier studios already. Christ, look at these guys, then look at me. I’m not like them. Even my shirt, the sample I modeled in the Krizia Uomo show in Milan two Springs ago, may be old but it’s a tangible link to what I’ve done. Proof of who I was. More than these mopes will ever accomplish in ten lifetimes.

Conversations include: a group scene where one mope brags about actually getting to fuck the girl for a solid minute before another mope tapped him on the shoulder to swap out; another man boasts of his one-on-one scene with a used up, twenty-year porn veteran, milf that he managed to not fuck up, which he proclaims, “We had a connection!”; to the porn parties they lie about being invited to.

The line moves. I take a step.

Directors for other bukkakes and group scenes (most not any better off than the mopes) rove up and down the bukkake line handing out business cards. One director poaches talent for a fifteen-on-one scene with a burly and pregnant woman that’s shooting down the street in an hour. The man front of me is swallowed by the building. I follow.

Inside the processing room we’re tagged and packed like cattle along an assembly line. I fill out the release and show my HIV/STD test to a production assistant that doesn’t even glance at it. Next, I hold my IDs next to my face and another P.A. takes a snapshot with a digital camera.

The line moves. I take a step.

The next P.A. keeps the beef line moving and into the killing floor. He tells me to be quiet as I enter because the filming has started. Through the doors I hear it. Panting. Snortling. Not unlike a kennel of English bulldogs. I enter the room.

Take a step.

The first thing you notice in the main room is: the line has congealed into a clump of man asses. They sag, and drag. Some pinch together, others hang down, flapping against the backs of legs. Hair covers some, puss drips from sores on another. Probably one hundred have packed in before you; you hurry to the side to strip your clothes to make room for the men that pile in behind you. The brightness of the lights is obscene and it’s cold like a meat locker–your breath hangs in the air in front of you, and the hairs on your legs and forearms stand erect. You pick an unoccupied spot on the floor for your clothes, and your bag, then walk to the crowd.

Take a step.

The other men are naked except for their shoes. The mob surrounding the girls (the rumor is there are actually two girls) has to be ten men deep because even though you’re taller than the average mope you can’t see the center. You hear, though. What you hear is squishy, wet, two-inch cocks jerking off in unison, like a thousand teens smacking chewing gum. With the sheer volume of men in the room the sound echoes off the walls. Punctuating this sound is the frequent moaning of your fellow man ass-mates at the front of the line as they dump their loads, followed by gargling.

Take a step.

Naked, you take your place in the pack, and no sooner than you do this does the trickle of new arrivals fill in around you; the group absorbs you into its mass. Inch by inch, the current moves you closer and closer to the front. Still, nothing is visible. Just the occasional cheap phone sex voices:

“Ooooohh yeah baaaaybeee. Gimmie that hot load, you stud!”
Another woman’s voice says, “Yeah, I’m soooo horny!”

Take a step.

Now you’re now at the middle ranks of the Man Ass Organism and are absorbed into it as yet more naked men pack in behind you. You’re trying to stroke your cock up to an erection with the only spit in your hand for lube, shoulder to hairy shoulder, surrounded by hundreds of strangers, and it’s harder and harder to breathe because there are no windows in this room and the used-up air that enters your mouth has exited the lungs of scores of other men. You taste the staleness.

Take a step.

When you are closer to what you think is the front, the odor invades your nose and there’s no way to escape it. Hygiene is not a big priority for some of these guys, but you’ve been around unwashed people before. No, that’s not it. It’s too acrid and burning to be just body odor. You look straight ahead because heaven forbid if you look down you see that you’re stroking your cock millimeters from some hairy, saggy ass. This gives you an acute awareness of the fact that there is some dude pulling his pud directly behind your ass at this very moment. His breath blows warm on your nape. Is he looking down at your cheeks as he strokes?

Take a step.

The Man Ass Organism spits you out to the front of the line the way an amoeba excretes waste through its membrane. There they are. Two girls, on their knees, caked from head-to-toe in the multi-shaded come of a hundred men. Drenched baby bibs are tied to their necks. Faces covered, you can distinguish them only by their breast size. The studio lights above them heat the jizz on their foreheads, creating swirling spunk currents the way a lava lamp would, solving the mystery of the stench. Both women’s breasts have space on the undersides where the semen dried to a crust–crackling, and splitting, and flaking when a tit moves.

Two men stand ahead of you in line. An unseen, megaphone amplified voice screeches over the ambient din, “You two! Snowball! Go, go, go!”

The two men take their steps.

A dripping slot opens just above Big Tits Girl’s chin that can only be a mouth. She sucks one man, and Small Tits Girl sucks off the other. Gooey hands grasp at the men’s doughy asses for leverage as the girls shove mope dicks into their faces. Big Tit’s man pumps her face and after ten seconds, convulses, howls, then slathers his load into her mouth and onto her face. She swishes spooze around her mouth and teeth the way you’d rinse with Listerine. The second man shoots his load into Small Tits Girl’s mouth. Both girls gargle their ejaculate in unison as the men step away and are re-absorbed into the crowd. Small Tits leans over, places her head in the Big Tits’s lap, and opens her mouth like a hungry baby bird. Big tits then purses her lips. Come mixed with spittle, phlegm, and yet more come drips from Big Tit’s mouth in long strings, and into Small Tit’s mouth. Small Tits sits up, kisses Big Tits, and the women snowball the loads back and forth, fingering their pussies all the while. The opaque liquid, now well mixed, drizzles down their chins and onto their tits, and the floor. This is when you see for the first time that the girls are kneeling in a pool of semen and it’s clear why the other men are wearing shoes. You recall among the gossip in the line, one story was about some shoeless man at a previous bukkake that slipped and fell into the primordial ejaculate pool.

Eye-spots surrounded by semen lock in on you, and a soaked princess beckons you over. The megaphone screams, “Go!”

You take a step. When your foot lands, it squishes deep into what feels like warm hair conditioner. Your foot sinks and the gelatine goo oozes hot between your toes. When you lift your foot the sticky floor doesn’t want to let it go. You stand in front of the girls, cock in hand, no erection. The Big Tits Come Princess scoops spilled seed from the floor and feeds it to Small Tits Girl, whom sucks her friend’s finders dry. She smiles at you, blowing come-bubbles. Your stomach flips inside out, and your breathing comes shallow, and it feels as though your bones have been sucked out of your legs. You sway.

The megaphone shrieks, “Stop! Half-time show!”

The director’s minions–dressed in rain coats, hats, fly-fishing boots and gardening gloves–cattle prod their way through the crowd carrying an industrial strength blow dryer. The appliances roar to life and the minions glaze the women’s faces with the come, glazing them like pottery. Fresh broiled spunk wafts into your nasal cavity. You look around and see the dead eyes of the Organism reflecting your feelings back at you; the Beast Of One Hundred Penises is looking through you to the girls, stroking away. Moaning and the sound of smack-smack-smack–


You push your way through the Organism, not caring that you graze past someone’s loose genitals in your haste, which is good because as you rush, greasy penises brush against your wrist and your hips.

Once in the back, clear of the Organism, your body doubles over, resting your hands on your knees, sucking in air until the roof of your mouth tingles and your pulse throbs in your eardrums, and you get the tell-tale tunnel vision from hyperventilating.

Your pants are in your hands but you remember there’s not enough bus fare in the pockets to get you out of the Valley, let alone get something to eat, and you still have a week to go until you might get paid for the three-on-one you did last week–assuming the check clears. Your gut, heaving a moment ago, now bellows to be filled. You take a step. To the back of the Organism.

The moaning mass of flesh wraps itself around you once again. You step, wait, and step again until the Organism shits you out once more. There is only one Come Princess, now. She rests upside down on the back of her neck and shoulders. Legs open, speculum prying her vagina open. The guy ahead of you drops his load down the pried open vagina. You’re up.

A gas masked minion squirts cheap lube into your hand from an industrial sized drum. You close your eyes and go through your wank bank of images in your head to get you cock hard. You stroke, thinking of that sweet smelling bank teller with the low cut blouse who took your deposit, and this jars you from the fantasy because you remember that you have to give the inverted snatch in front of you her deposit. You keep stroking but your curiosity nags at you to peek, but you’re so close to coming and don’t want blow it, but your eyes have minds of their own. You peek. Her clamped open cunt is infinite, raw, and teeming with mottled, bubbling spunk. Still clutching your penis, your eyes roll back and the floor comes up on you hard and fast.

When your eyes open, you’re at the back of the crowd, next to the pile of clothes, semen stuck between the webbing of your fingers, a tightening feel of crust drying on the left side of your face and lips. You lick your lips and are rewarded with a bitter-salt taste on the tip of your tongue.

Your feet kick away a pair of skid-marked tighty whiteys to get to your socks, but fuck it, do you really want to put them on again? You’ve got one pant leg on when you stop and look to the dried sperm crusting on your feet. Your shirt, the one you got paid $1,500 to wear down the runway in Milan, is missing. Scanning the back of the room, you spot it. A mope is using it as a come rag. You struggle to control yourself from weeping and manage long enough to sling your bag over your shoulder and walk.

As you are leaving a minion stops you. He says, “Don’t forget your cash.”

He hands you fifty bucks, a baby wipe for your face, and a t-shirt that says:

“I Got Cummed On and Left For Dead In A Bukkake And All I Got Was This Stupid T-shirt.”

The minion says, “Can you come back to do the Gangsta-Land Come Slam next week? There will only be ten of you, you actually get to fuck the girl, and the pay is $150.”

At first you think he doesn’t know you’ve failed, but then you realize he doesn’t care. You’re walking corpse, there to make the set look full. As a mope, nothing you ever do will matter.

– Tyler Knight


If you enjoyed Tyler’s writing, definitely check out his book Burn My Shadow: A Selected Memory Of An X-Rated Life

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