#1: You admire a character for trying more than for their successes.
Filming title sequence
The helicopter and camera rig used to film the title sequence, in which we follow Jack Torrance’s yellow Volkswagen on its way to the Overlook Hotel. The 2nd Unit crew had permission to film in Montana’s Glacier National Park, but they were not allowed to land in the park except in an emergency. As such, they would often have to hover just a foot or two off the ground so that 2nd Unit Director Greg MacGillivray (who was also driving the Volkswagen) could check the cameras and clean the lenses, which would become encrusted with squashed bugs.
The Torrance Family
The helicopter footage shot for the title sequence was originally intended to be used only for that sequence. For the later sequence where Jack Torrance returns to The Overlook with Wendy and Danny, Kubrick had originally planned to use a series of ground-based shots showing the yellow Volkswagen towing a small trailer with the family’s possessions. Those shots were filmed by the 2nd unit crew, but during the editing process, Kubrick decided not to use them. He instead made use of more of the footage that had been shot for the title sequence. Many have speculated as to how the Torrance family could have possibly brought all the luggage shown in the hotel’s lobby when they arrive. This explanation answers that question. 2nd Unit camera operator Jeff Blyth, Jeff’s wife, and their camera assistant doubling for the Torrance family in many unused shots of the car and wearing costumes from the film. Note their “Tony” finger poses.
This is one of those very rare films that combines good black humor with bloody, messy gore and does it perfectly. Long before `28 Days Later’ appeared, `Return of the Living Dead’ presented us with FAST zombies, zombies who could run, jump and work together like a football team, tackling people and making it a group effort to tear their victims apart. There are very few slow, shuffling monsters here; these are zombies to contend with. They talk, they think, they problem solve. Who could ever forget the Tar Man (my personal favorite) rigging up a device to tear down the metal closet doors, behind which our heroine has locked herself?
This film never lets up, not for one minute. There are no long explanation scenes, no boring set-up, just in-your-face excitement from the very first scene. It is the perfect homage to the Romero films; there is no happy ending here, only an ironic twist which will make even the most cynical doomsayer grin. This film is already a cult classic and deserves its status. It’s as close to flawless as you can get.
Forget Godfather, forget Citzen Kane, forget Schindler’s List, forget what you read, forget what you watched, The Room is hands down the best movie ever made. Written, directed and produced by Tommy Wisseau, The Room is everything and anything and even more than you could ask for in a movie. It’s drama, it’s suspense, it’s mystery, it’s an exploration into the human condition, it’s timeless, it’s a masterpiece. I could go on and on but my words are futile to such a genius piece of work….
A Viewing Of The Texas Chainsaw Massacre From 1974 Will Help Us Usher In The Halloween Season Properly
Hands down, one of the best horror flicks out there. Raw and gritty as fuk and that dinner table scene is one of the greatest moments in cinema history.
TAXI DRIVER (1976)
BLADE RUNNER (1982)